co-facilitating guest artist Justin Mata's session on "Imagined Cities" during our Vague Notions project at Interface Gallery in Oakland
artist Tom Deslongchamp reads from a salvaged box of 80s band riders for a special Circumtext reading at our Collections show offsite, with Alan Hopkins's "Lost and Abandoned Balls" piece as a backdrop
front wall of our first 10.-22.-38 Astoria exhibition at our studio/gallery space in Seattle
photograph of the Seattle port taken during research for our Colors of Commerce exhibition
We make projects, and we archive some of them here.
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a series of walks following the paths that human waste travels along hidden infrastructure, tieing awareness of social and environmental aspects of sanitation to embodied experience
a research project and installation/exhibition exploring how food costs are affected by various social and environmental issues, in the form of a "true cost" grocery store
10.-22.-38 Astoria* is an ongoing project in which FICTILIS transforms a space into a functioning pop-up copy shop that is pre-stocked with a wide selection of ready-to-copy artworks by thousands of artists from all over the world.
An ongoing collection of collections that use creative categorization or otherwise draw attention to the processes and politics of collecting. A full exhibition in Seattle, 2012.
FICTILIS received a Heidrich Research Fellowship to support research at the Labadie Collection, which documents the history of social protest movements and marginalized political communities.